I have to get this post out before the end of the
“Holiday Season,” and true to my procrastinating tendencies I left it to the
very last minute. Honestly, I wouldn’t be surprised if this is posted this at
11:59 tonight—New Year’s Eve.
Anyway, the topic for this blog came to me as I was
watching a Christmas movie marathon on the Hallmark Channel this November. Yes,
November. It seems like every year the Holiday Season starts earlier and
earlier. This year the networks (ABC Family, the Lifetime Movie Network, and
Hallmark Channel) were airing Christmas movies before it was even Thanksgiving.
Hallmark Chanel is especially enthusiastic and has been showing Christmas
movies 24/7 for the last two months or so.
I occurred to me that my great love of Christmas movies
wasn’t all that normal when a friend came over and we watched one together. We
had fun but she still didn’t really see the appeal or understand why I can watch
marathons of these holiday movies. To that end, I tried to define exactly what
it is I love about Christmas movies.
1) Christmas movies are
predictable.
The plotline usually
follows one of these outlines:
A) Character hates
Christmas/ is a “Scrooge.”
This
one is pretty self-explanatory, but a main character will often hate Christmas
for some inexplicable reason that becomes clear as the movie progresses. Most
storylines involve a tragic event such as the death of a parent which makes
Christmas an unhappy time. Now being a Christmas movie, no character can be
allowed to hate Christmas for very long. The problem is usually solved by the
romantic second lead who loves Christmas and teaches the main character to do
so as well.
B) Santa or Santa’s heir
needs to find a Mrs. Claus before Christmas
This
outline makes some of the best and worst Christmas movies. When done well, it can
be a charming story progression with Santa’s son (or daughter!) going out into
the Great Big World to find themselves and a partner. Santa’s heir always also
finds him/herself a cause while they are out and about such as saving a local
toy store from going out of business. In these movies, Santa’s heir always has
a deadline which never fails to amuse me, like a month to find True Love: a
person who’s willing to a) believe that they are Santa’s heir b) commit to
marrying them after knowing them for a matter of weeks and c) move to the North
Pole where they’ll only have elves for company—a plot point that is
conveniently overlooked.
C) A small town (that loves
Christmas, of course) is being threatened by a Big Bad Christmas-Hating Developer
This
one is self explanatory as well. The Big Bad Company’s agent is usually a man, although
I’ve seen a woman in this role. He or she comes in all prepared to build a mall
or tear down some landmark or building that is very important to the citizens
of some small town. He or she is met with resistance by the town and winds up
becoming romantically entangled with the leader of the resistance. To make a
long story short, the Big Bad Company’s plans are foiled through a combination
of wit and Christmas magic and everyone lives happily ever after.
D) A parent needs help
learning (or remembering) the meaning/joy of Christmas so as to build better
relationships with their children (usually two—a girl and a boy)
In
the case of a father, he’s usually a widower who hates Christmas because it
reminds him of his late wife and her special love of Christmas. If it’s the
mother, she’s often a high powered executive who has lost sight of “what’s
important.” The catalyst for change can come in the form of a new suitor, a
nanny, or an angel—yes, an actual angel—who through example and a preachy
script prompt the Christmas hating (or Christmas indifferent) parent to turn
over a new leaf and reconnect with his/her children—everybody say ‘Awwwwwww.’
E) The replacement Santa
This
trope is seen most often in Disney-type Christmas movies where Santa
unexpectedly (and sometimes unintentionally) hands the reigns—pun intended—over
to someone new. New Santa is usually a regular guy who probably no longer
believes in Santa but is forced to accept his existence as he realizes that he
himself is Santa. In a series of rough starts and misadventures, the new
Santa learns to love his new job and most importantly—regains his love of
Christmas!
2) The many forms of a
“Christmas Carroll”
I think Charles Dickens would be surprised how many times
his book has been re-adapted to make a quickie Christmas movie involving a shallow
executive who treats his/her employees terribly and has no time for anything or
anyone not related to making money. If he were alive I’m not sure if he would
be amused or really annoyed about these (mostly shoddy) adaptations, but one
thing is certain: he’d be making a ton of money in royalties.
3) The incredible power of
Christmas magic.
“Christmas
magic” is a perfect example of duex ex machina if ever there was one with
“Christmas magic” or the “spirit of Christmas” being the contrivance that
solves most of the problems that arise in these stock storylines. Not that I
object to this in any way, you understand—I sit and watch safe in the knowledge
that the movie must end happily, that all conflicts and romantic complications
will be resolved and tied neatly with a nice red bow because it’s Christmas.
4) Mockability.
Although
I own that Christmas movies can be quite good—even poignant—at times, these
times are few and far between. Most of the time they provide endless
entertainment because they aren’t very good—the cheesier, the better I always
say!